In her exhibition OCCISA, Liz Capote presents a thoughtful visual essay on daily existence, where the female body, both an object of admiration and analysis, is viewed as an essential matrix. Multiple, sexless beings emerge in surreal, fluid landscapes, often in motion amongfluids. Battles unfold within their own consciousness. Capote delves into violence as a politicaland moral state, while exploring the quest for meaning and inner peace.
