Ángela Ferrari

Ángela Ferrari (b. 1990, Buenos Aires) is a multidisciplinary artist based in Mexico City, working across painting, textiles, and installation. Her practice reinterprets classical European visual languages—especially the genre of hunting scenes—by unraveling their embedded narratives of power, dominance, and control. Through shifts in scale, experimental use of color, and altered perspectives, she disrupts traditional compositions to explore more fluid relationships between humans, animals, and the natural world.

Ferrari’s work challenges the colonial and patriarchal roots of historical imagery, reworking them into visual spaces where feminist and ecological questions can emerge. The rigid binaries of hunter and hunted, subject and object, are destabilized, giving way to more ambiguous and layered readings.

Her pieces have been featured in solo exhibitions such as Aurora at Adhesivo Contemporary (2024) and Vértigo at Angstroms (2024), both in Mexico City, as well as Blood and Dust at Maximilian Contemporary in San Francisco (2023). She has also participated in major fairs like Salón Acme, Material Art Fair, and FAMA.

Throughout her career, Ferrari has taken part in various residencies and educational programs, including SOMA in Mexico City, Lugar a Dudas in Cali, Colombia, and Cobertizo in Jilotepec. Her work reflects a continuous effort to reimagine inherited visual traditions as sites of resistance and transformation.